How Green Was My Valley

This post started as a commentary on my last major travel, in January, to Dubai to visit my relatives.  The composition of that post was delayed by a combination of laziness, lack of inspiration, and a number of minor excursions here and there (Paris to teach, Verbier and Les Contamines to ski).  Nearly three months later, a New Day is upon us – Spring arrives in a few hours – when a young man’s fancy turns to love, and that of a newly minted 40-year old to finishing long-begun blogs.

‘Tis true.

This past January I turned 40.  Hard to believe – especially as I do not feel a day over 39 – but there you have it.  I could go on either lamenting the onset of middle-age (assuming I last to my eightieth), or celebrating it (40 is the new 25, I am told, with more money and fewer pimples); I could, like so many prophets before me at this same age, wander off into the desert, or climb a mountain, or be lost in a thick forest, in the hopes of seeing a burning Bush or a shimmering Gabriel, or gaining 400 pounds and being deified; I could wax philosophical about the Meaning of Life, or lose myself in a haze of hedonistic romps … I’ll spare you all of that and simply note the occasion.  And, also, note that I spent this milestone with a dear aunt whom I had not seen for over twenty years, and cousins who, last time we spent time together, were six year-olds climbing all over me at my grandmother’s place in an old quarter in Tehran.

Just seeing them again after such a long time was probably the best gift Providence (and Visa and Aeroplan) could have given me.  My youngest aunt was, and remains, the very personification of kindness, warmth, and generosity.  The older of my two cousins still had the same infectious laughter that I adored; the younger one and I talked and bonded as if there had not been a gulf of twenty-four years between our last two visits.  My uncle was sensible and calm as I remembered him; and I met my cousin’s husband and, I hope, made a new friend in him – a kindred spirit despite our vastly different backgrounds.

As for Dubai – well, I had to eventually see what all the fuss was about.  The only thing I could say is that one marvels how the Bedouins of this otherwise desolate land have managed to persuade the world over to come and invest in their corner of the Arabian desert.  One wonders about countries with so much more natural wealth (one across the Persian Gulf comes to mind) that … ah, but the thing is so obvious as not to bear further observation.  Dubai: not my cup of tea, but impressive nevertheless.

Upon my return from Dubai I had to get ready for a series of lectures at the Science-Po in Paris; I also spent some time in Verbier, one of Europe’s most well-known ski resorts.  Unfortunately, snow conditions were, and remain, less than ideal; at the same time, it was good to have a place to go to weekends.  And walking up and down the mountain to get to the apartment certainly was helpful in bringing the 40 year-old waist-line under control.  Along with my season’s pass at Verbier, I also got passes for some of the other ski resorts in the region.  This is why last weekend I went to Les Contamines, one of the most beautiful ski resorts in the Alps.  And it was my drive to Les Contamines that inspired me for the title of this email.

“How Green Was My Valley” was the title of a wonderful, and wonderfully sad, 1941 movie starring a young Roddy McDowell.  The title was a lamentation, somewhat ironic, about the passing of a way of life in a coal-mining town in Wales.  The title, and the movie, came to me as I was driving down the Arve Valley, oddly green up to 1800 meters, listening to a Donna Summer song from the 70s on Nostalgia radio.  The song reminded me of the first time I had heard it; how utterly carefree I had been, in that summer of 1976, newly returned from the US.  It was a time, at least for me, when hope had dominion; the world was a kinder place, or at least it so seems at such a distance.  I was smiling nostalgically in the car, remembering the passing of a way of life; recalling, not without a measure of irony (for all was not well in my idyllic world, as we were soon to discover), how green had been my valley.  Here I was, thirty years later, driving through an unusually (for this time of year) green valley that, oddly, sadly, I knew better now than the valleys and the mountains and the streets and the streams whence I had sprung.

I wonder how much longer the Alps will retain their winter luster; whether the Mont Blanc will remain blanc for much longer.  It has begun to snow again in the region – now I have to worry about my cherry blossoms – but the glaciers have already receded dangerously; “how green was my valley” would be the lamentation of a new generation used to whiter mountains and gorges, who would perhaps mourn the passing of their own way of winter life in due course.  Be that as it may, they, like me, will no doubt find new valleys and new vistas to explore, new worlds in which to prosper.

It is in that somewhat bittersweet mood that I welcome the arrival of a new day, and a new Persian year; it is, however, with considerable hope and optimism that I wish all of you the best for the coming year.

Triumphs and Tragedies

I have been meaning to write something on my trip, last September, to Spain.   That I have not yet done so cannot be explained by want of inspiration, for whether driving through Andalusia or walking in the streets and alleyways of Granada, my head was spinning with thoughts, phrases, words and metaphors to explain and explore the images, the vistas and the history before my eyes.   Nor can I plead a lack of time, as I have had the time, which I have frittered away on God knows what.  Certainly not laziness: I continue to write copious amounts for work and occasionally even for the blog …

 

No, I have not written because I have been missing a “handle”, a theme, a Big Idea, with which to anchor the images and the phrases, disparate and confusing, that have crowded my head since the latest Spanish adventure.   So I have waited, and ruminated, and pondered, and searched, and sought.  All for naught – until last night, Christmas Eve.

 

The day began pretty much like every other day in a Swiss winter.  I woke up in the mountains, had breakfast with friends, went skiing, got my skis scratched because there was no snow … We came home early, put the turkeys in the oven, cut the veggies, buttered the carrots, spread the fois gras, and sat down to a sumptuous Christmas dinner.  And then, as we were picking on the bones of the poor bird, there was a knock on the window: “There's a fire; the chalet behind yours is burning.”   And so we went out, and an unusual Christmas Eve drama played itself out over the next two hours.  Many of you have seen the pictures I sent out.   But of course, then and there, it occurred to me that write I must, not only on Spain, but on the year, a year punctuated by more personal sadness for me than any other over the past twenty, and yet a year filled, almost overflowing, with wonders and happiness; a year of small personal triumphs and grand tragedies; and, as the chalet burnt before my eyes and yet no one was hurt, I thought, a year of tender mercies.

 

For those of you who have bothered to follow these epistles, the year began amazingly well and then sank into a trough for about three months.   I ushered in the new year at my place – as I have done in each of the past three years – in good health and with close friends who had come over for dinner and Champagne.   Soon after, I left for Toronto to teach an intensive course on trade litigation, the first such course in a Canadian law school.  I met the class on the 9th and all seemed to go well …

 

Life – at least mine – has a habit of rebalancing itself.  For each triumph, I am saddled with a setback; to mark how ephemeral happiness is, Life occasionally ladles sadness onto my plate.   On January 13, I heard of the death of a good friend and mentor; soon after, I found out about a friend's wife having breast cancer; upon my return to Geneva, another friend was stricken by acute leukemia that took three courses of Chemotherapy and three months in the hospital to overcome.  

 

In May I started teaching at a Queen's University campus in the UK.  Lovely grounds, a Tudor castle, excellent students … the course went well; the students loved me; the Dean was really impressed with the programme and the course.  I came back, flushed with a small measure of professional success in my part-time teaching activities – to be faced with a serious professional setback in my day job.   I cannot claim – I cannot pretend – that I was not disappointed.  Of course, the setback – like all the others I have had from time to time – did not actually change anything in my life.   And, in any event, in the big picture, I've got everything I need right now and a promotion a year or two late – or never – would not really add to my state of happiness.   Still.  It was disappointing, and it was frustrating, and it remains both, though the initial shock has worn off and the sharpness of the first feeling of let-down has dulled to a low intensity grumble.

 

If I believed in God, I'd thank her for St. Augustine's serenity prayer; as it is, I can safely thank Khayyam and Hafiz and a thousand years of Persian Sufi mysticism and resignation for keeping me sane, still optimistic, and wary of cynicism.

 

It was thus, in this frame of mind, that I found myself in Siena, Venice and Croatia.   Having relaxed and spent an uneventful August in Geneva, I was ready to be seduced by the charms of Al-Andalus.  For this time, there was a specific object to my Spanish voyage: to go to Granada and to visit the jewel in the crown of Islamic architecture in Moorish Spain.

 

The Moorish civilization in Spain spanned some seven centuries and was responsible (at least in part) for the re-introduction of Greek classics to the barbarized Christian world.   At its height, the capital of the Moorish Empire, Cordoba, boasted a library of a hundred thousand volumes, three faiths living peaceably alongside one another, one of the most vibrant Jewish communities since antiquity – and architectural masterpieces that, nearly a thousand years hence, continue to captivate, seduce and marvel.

 

Keyvan and I visited one of these sixteen years ago on our small tour of the South-Western corner of Andalusia .  In Seville, I was simply awed and overcome by the intricate and yet graceful lines of the Alcazar; by the lovely gardens and its citrus trees; by the sheer – ah, that word again – civilization of the place.  Few other palaces in Europe have impressed me as much since; I think the jousting hall in the Prague Castle has come close, but that was that.  Until, that is, I went to the Alhambra.

 

The most amazing thing about the Alhambra is its scale: its human scale.   There are the occasional soaring arches and high ceilings, but by and large, the spaces are intimate rather than impressive; sensual rather than glorious; graceful rather than rich.   The intricate decorations, carvings and calligraphy reminded me of Iran, of course, and so did the gardens.  But they also reminded me of something else: descriptions of paradise in my childhood.   This was a veritable earthly pleasure palace, meant for the most refined and sensual of palates.

 

Contrast the grace of the Alhambra with two monstrosities that were built on the very same ground after the conquest of Granada , the last outpost of the Moors, by the Catholic Majesties, Isabella and Ferdinand, in 1492.  There is a renaissance church there; it sits in the gardens of Alhambra like a slab of overcooked boiled beef in the middle of a plateful of truffle-stuffed quail; Charles V, Isabella's grandchild, is said to have wept at the sight of the beast in paradise.   Well, weeping is fine – Charles used to do that a lot, especially when he sacked Rome in 1527 – but the point is, what do you do about it?  Charles V proceeded to build another monstrosity there: a palace of no discernible purpose or charm, looking passable only because the church next to it is so unutterably ugly …

 

The Alhambra proved to me two things. 

 

The first is a rather philosophical point about history.   There are those who believe in the “Great Man” theory of history, and others who consider history a movement driven by laws independent of the men and women who are affected by it.   I'm not sure about the first and certainly cannot vouch for the second, but I know this: it is possible that great nations arise regardless of the men and women who lead them; I have no doubt, however, that individual leaders have the capacity, irrespective of their populations, to destroy great nations.

 

Of all the tragedies that have befallen nations, few have had more calamitous results specifically traceable to a single reign than that of Spain under Isabella and Ferdinand.  They unified and re-Christianised Spain by throwing the Moors back to Morocco and driving the Jews out of Spain, but at what cost!   With the Moors gone, the flower of Spanish culture withered away; with the expulsion of the Jews, Spanish industry and commerce ground to a halt; with the Inquisition, Iberian creativity and spirit of discovery was killed.   On the strength solely of Habsburg arms and American gold, the Spanish Empire went on for a hundred years more (and then lost its Armada in one fell swoop), but inside, it was dead.   Only with the reintegration of Spain into Europe in 1986 has it begun to regain what it lost five hundred years ago.

 

The second point that a visit to Alhambra underlines with brutal clarity is the utter madness of Osama Bin Laden's claims in respect of recovering “Al-Andalus”, the Moorish name for Spain.  After all, the sensual, cultured and cosmopolitan Moors are as far apart from Bin Laden's Wahabbi austerity as would be Mother Teresa from George W.   Bin Laden's sick mind might well yearn for a Caliphate from the Hindu Kush to the Pyrenees; he and his ilk might even, one day, achieve it.  But let us not sully the Moorish accomplishments by claiming that their Al-Andalus would have anything to do with Bin Laden's.

 

Go visit the Alhambra; get lost in its paradise of a garden; enjoy the graceful notes of its chambers; weep for Spain for what it became, and for Islam for it has become.

 

Aside from Granada, we also stayed at two other places.  One of these was a lovely hotel in the mountains just West of Malaga.  The views were spectacular, the rooms lovely; we ate figs and oranges and walnuts and cactus fruits off the trees, played pool in the evening and mini-golf during the day, and walked in the pine forests.   On our last night in Spain, we stayed at a casino hotel South of Malaga; I played €50, lost it all in three minutes flat and remembered why I hate gambling – or “gaming” as it is called these days.

 

Since then, life has been pretty uneventful.  As of the first of December, I have co-rented an apartment in the mountains – in Verbier, one of the largest ski resorts in Switzerland – and even though we have not had much snow, the place is warm and cozy and simply wonderful to go and relax.   Friends have come in from Spain and Germany for Christmas, and other friends are organising a large party for the New Year.  And in the new year?   I don't know what life will bring; only that in the first week I am likely to go to Dubai to visit an aunt I have not seen since leaving Iran. 

 

The fires are no longer smouldering; the chalet that had lit up the night sky last evening is brooding over us, scarred and black and no longer in one piece.   But I find myself more or less in health, generally at peace and among friends.  I cannot ask the Universe much more that than.   And so it is that I bring to a close this long letter and a year filled with mixed emotions and vivid memories. 

 

Pictures:  

Trains, ferries and automobiles

I might have added gondolas and water taxis as well, for Venice was one of the destinations in my latest adventure.  As it happened, among the many means of transport we had to employ to get to our various watering holes, gondolas and donkeys were spared.  We did, however, take regional buses – I hear the gasps in the gallery – and even bicycles to get here and there.  Ah yes, not to mention an Italian regional train, which must perforce have its own classification.
 
I digress. (If this were a legal submission written by one of my colleagues, I would have written on the margins, in bold and blue type, that first, an introduction can hardly be a digression but, second, the paragraph above, telling you exactly nothing about the where and the how and the why of this email, could never serve as an introduction in any event. And if you were my colleague, you would have told me, “your point is noted” and went on with whatever you were doing without paying the least attention to my comments.  But of course, this is not a legal submission, and had it been one, you would not bother to read it.  This assumes an interest on your part to read something other than a legal submission, of course – such as a travelogue … a tall assumption, I grant you.  Still.  I digress again.)
 
I went first to Sienna to have lunch with friends of mine who were visiting Italy from Canada.  Getting the Italian railway's timetable to work with my dining hours did not prove entirely successful, so I ended up taking the train from Geneva to Florence, only to rent a car there to drive down to Sienna.  The train ride was uneventful; indeed, the first train was only 30 minutes late and so I had lots of time – exactly five minutes – to get to the next train.  This one also arrived late – I don't know if Mussolini really did make the trains run on time, but if he did, I can see the sense of awe and wonder among his countrymen. 
 
So the train was late: no matter, for there was, already, a huge lineup at the car hire company.  I finally got to the agent, who dealt with my reservation while shouting into the phone (she could well have been making a reservation at the local pizzeria for all I know – in Italy, everyone seems to be shouting over one thing or another), dealing with the drivers, talking to three other customers, and occasionally throwing things at the computer.  The forms printed out, she marched out to shout some more at no one in particular, gave directions to a stranded tourist – they can be ever so helpful, those Italians – and absent-mindedly put some stuff in front of me to sign.  She then gave me the keys to a White Fiat Punta, which on closer inspection (after fifteen minutes of looking for it) established itself as a Blue Fiat Panda.  No matter.  While answering the phone, cursing the computer, and taking another customer, the good lady distractedly marked some squiggles on the map, purportedly pointing the way to the road to Sienna.  I thanked her, got into the White Punta parading as a Blue Panda and drove off.
 
Getting out of Florence by car is about as difficult as your imagination can handle, and then some, but get out I eventually did (when in doubt, follow what looks like a regional bus, even if you have to inhale carcinogenic fumes for fifteen minutes – at least they know where they are going).  Finding the road to Sienna was not a problem only after I determined that the blotch of blue on the blue of a sign at a major fork in the road was actually “Sienna” covered over by a prankster. 

Oh that Italian sense of humour. 
 
In Sienna, I parked the car at the “Il Campo” parking lot, which is a twenty minute walk through a maze of medieval road from the “Il Campo” Piazza (as opposed to half a dozen other parking lots that were under the Piazza itself but that had less alluring names – the University Parking, the Central Parking, the Fleece-the-Tourist Parking and so on).  Much like elsewhere in Italy, so as to ensure that tourists fully see the city, the city fathers of Sienna had decided that signage was to be alternately unhelpful, positively misleading or, thankfully, often nonexistent.  It was at these junctures, when I had no idea where things were, that I simply followed the crowds, who eventually led me to the great Piazza.
 
I finally found Val and Anne, my friends from Canada, seated at a lovely restaurant across from the Tower.  I say this much about the Piazza del Campo: it is immense.  And, in its shape and the slant of the ground, unique among all the piazzas, places and town squares I have seen in Europe.  The lunch was excellent; the company superlative; the weather wonderful, and the biscotti afterwards simply divine.  Around six we wandered back to the car to drive to Venice for the evening.
 
It has been said that Venice is among the most beautiful, if not the most beautiful, of European cities.  And the most romantic.  Beauty and Romance being in the eyes of the beholder, I have to say bully for whoever thinks so.  Don't get me wrong: it is indeed a beautiful city, once you get past the immense number of tourists choking the waterways and the July stench of the lagoon and the canals choking the tourists.  What's more, we stayed at a lovely hotel right on the Grand Canal, across the water from the train station and beautiful bridges and so on.  Whatever the city had to offer, then, was not in any way diminished by the experience of actually staying there.  And yet …
 
The first night we set out to go to the Piazza San Marco.  Once we got there, of course, it was well worth the trip.  The Piazza was all lit up; musical stands were set up underneath the arcades and small bands and orchestras played the Blue Danube (??!!), Glen Miller classics and the odd Cole Porter.  On more than one occasion I was tempted to go and ask a Nike-clad American tourist for a Waltz or belt out “Night and Day” to the accompaniment of the slightly out of tune orchestra.  It was Venice, after all: along with the Doge's grand palace, a little bit of cheese was not only to be expected, but positively required. 
 
But it had taken us a good hour to get there on foot from the hotel (“Steps Away From All Major Attractions”).  Here and there along the way there had been signs to “Pza S. Marco” taking us down alley ways that ended in canals, or over birdges that led to nowhere in particular.  Some signs led us into Piazzas with a dozen exits of their own and no further signs to guide us through.  For the most part, however, it was a pure guessing game on our part getting to the San Marco.  Between fatigue (I had got on the train to Florence at 5:40 that same morning) and frustration (visions of getting lost in Cinque Terre, and getting lost in Sienna, and getting lost … you get the picture) the utter unhelpfulness of the signs had begun to get to me.  And then, fifteen minutes after we got to the San Marco, the bands wrapped up, the bars closed, and we had to stagger back to the hotel.  How, I cannot now recall, even though I was stone sober.  Perhaps because I was stone sober.
 
The next day we headed back to the San Marco.  Having learned our lesson, this time we simply followed the crowds – including when the said crowds themselves got confused and started bleating like sheep for their shepherd.  I exaggerate, though it is not unusual to see whole groups of people aimlessly turning round and round trying to find a way out of the labyrinth of the city.  I guess we could have taken a water taxi, or a gondola.  Next time.
 
The San Marco is every bit as lovely as writers and cinematographers make it, and every bit as crowded as it is reputed to be.  And it is stunningly attractive.  It has not the charm of the Grand Place in Brussels – there is a cold mathematical quality to the arcades around the Piazza – but in that it rivals my favourite public square in Europe for character and beauty there is no doubt.  We scaled the campanile and had a wonderful view of the city.  Simply gorgeous.  After that, we walked around exploring hidden nooks and crags.  We stopped briefly for lunch, only to be mugged by the licensed highway robbers that do double duty as waiting staff at restaurants.  We walked around some more, drank beer, found a place to hang out for the World Cup
finals, drank more beer, watched the game, saw Zidane's head butt, drank some more beer and stumbled back to the hotel without once falling into a canal.
 
Final impressions?  Standing before the Duomo and the Doge's palace in Piazza San Marco, I was of course impressed, awed even, by the artistry of the architects, and the sheer wealth of the Republic that built and maintained, over many centuries, this magnificent monument to human ingenuity.  Aye, but there's the rub.  For the immense wealth of the city and its domination of the Eastern Mediterranean had its origins in an act of pillage and rapine unparalleled in savagery even in its own time, the early Thirteenth Century, not one known for the gentleness of its plunder.  This is the sack of Constantinople in the course of what is bewilderingly known as the Fourth Crusade. 
 
Bewildering, because of course Constantinople was the capital of the Christian Byzantine Empire, against which the Christian Venetian Republic, armed with the sanction of the Christian Roman Pope, waged a “crusade”.  It is an invention of Western historians, convenient for the pride of the Oriental, that the Eastern Roman Empire was felled by the Ottomans in the course of the Fifteenth Century; it was a Christian hand, supported by the Catholic Church, that put the dagger in the heart of the ailing kingdom. 
 
And let us be clear: the object was not the mere recovery of something the West had lost; it was not even mere rapine.  Venetians, or their agents, did not just steal all there was to take (including some 22 purported heads of St. John).  Rather, the invaders set the city on fire with the hope of putting it out of commission for good, so that Venice would become the chief trade intermediary between the Muslims of Asia Minor and the Levant, and the Christian world.  That Constantinople lasted for another three hundred years to finally fall to the Ottomans simply underlines the city's ancient residual strength.
 
Why mention this?  Because, standing there in front of the Doge's palace built on the blood of Greek Christians, I thought how utterly fantastic, how absurdly idiotic, how deliciously odd it would be if a batch of Greek suicide bombers were to seek revenge against Venice for its violence during the Crusades.  Is that not the language Osama uses in reference to the Christian world, after all?  What is more, it seems to me that the Greeks would have a far better case against the Venetians than the Muslims do against the Christian world: I mean, the First Crusade was launched only after the Muslims attacked and conquered Christian Jerusalem; it was, in the vernacular of our times, a search and recovery outing for the European crusaders.  The Christians went back in the Second and Third Crusades, but then were resisted and repelled by the Muslim troops.  Unable to take back the Holy Land – unable, that is, to inflict any real harm on Muslim conquests – the “crusaders” turned on the soft Greeks of Asia Minor who represented a far more attractive target.  While Saladdin, the Conqueror of Jerusalem, and his progeny lolled about their Harems in relative peace and signed commercial treaties with the city states of the Italian peninsula, the Greek Emperor was castrated, flayed, quartered and fed to the dogs, by Venetian troops, as his capital burned to a cinder.
 
Well, who has a right to be aggrieved?
 
Historical grievances abound the world over; all we need to do to find them is to look around us: every church stone was laid upon its foundations by the sweat, tears and blood of some oppressed peoples somewhere.  It is what we do with that grievance that sets us apart, the civilised from the uncivilised.  And so it is that eight hundred years after the sack of the jewel of the Byzantine Empire, Venetian taxpayers pay for Greek roads and Olympic pavilions, while Osama's men perform ritual acts of slaughter against the innocent. 
 
And so it goes.
 
From Venice we took a train to Trieste, a bus to Rijeka, and a catamaran to the island of Rab.  The walled principal hamlet is actually an ancient Venetian colony and dates from … you guessed it, the XI-XIII centuries, when Venice was at the height of its commercial and military prowess.  The village of Rab is quite fetching, with its four bell-towers, medieval walls and large stone streets. There are gelaterias and pizzerias every two steps, catering mostly to the German tourists who have little notion and less interest as to where they really are, as long as the food is plentiful, meaty and cheap, and the sun is accommodating.  There were a few good restaurants that sold overgrilled fish and steak and soggy salads; but after our dining experience in Venice (€75 for a pasta lunch), just about anything in Croatia would have been welcome.
 
For the first three days our principal mode of transport was the bicycles we had rented upon arrival.  There were a few steep hills to traverse, but well worth the effort.  The first day we spent in a natural reserve on the north west of the island; on the second day we headed straight north for more developed areas; and on the third day we went to the extreme south in search of relatively secluded beaches.  On the fourth day we took a bus to the north east, where there are a few sandy beaches around – if you go there, keep to the sand, for the rest of the area is covered in fairly sharp volcanic rocks.  Our last dinner was a huge Sea Bream that we finished with some difficulty (and with the help of a scrawny black cat who insistent on stealing food from my fork).
 
The return trip proved a bit of a challenge.  We got to the port around 6:30 to take the catamaran back to Rijeka, where we got the bus to Trieste.  Between passport checks and traffic, the bus ended up being about 30 minutes late, giving me all of ten minutes to get my tickets and run to the train.  From there, I went back to Venice, waited around another 30 minutes, and caught the Cisalpine direct to Geneva.  I had an overpriced and totally unsatisfactory risotto in the train restaurant – but the aperitif was free, the decor elegant, and the sights outside simply enchanting (we were travelling all along the Lakes).  I got back to Geneva exactly eighteen hours after having left the hotel room.
 
Pictures you can find at:

Western Civilisation

About ten kilometers to the city, the spires of the Cathedral come into view and soon, the entire edifice can be seen, on top of a hill, dominating the landscape.  It is not symmetrical: one spire dates from the XII c. while the bell tower is a Renaissance creation.  And as you get closer, it resembles more a massive heap of stone than any other Gothic church of its size: it lacks refinement and finesse; inside and out, it is dark and heavy; it does not so much sit as brood on top of its hill, hemmed in at ground level by medieval streets and old trees that all but hide it from every angle. 

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At first glance, aside from its sheer size (which can be oppressive) and the faint air of mystery inside, it does not impress or, indeed, commend itself too readily.

 

But of course, you would not be in <?xml:namespace prefix = st1 ns = “urn:schemas-microsoft-com:office:smarttags” />Chartres to have a “first glance” at the cathedral.  Much like Bourges, just about the only thing to bring you to Chartres is the cathedral itself and, more to the point, what you will already have read about it.  And so, it is nearly impossible to arrive at Chartres a tabula rasa; your impression of the building is necessarily shaped by its history. [On this, please see previous note.] And what a history!

 

The Cathedral of Chartres is the first church built in the High Gothic style.  The architect took elements of the Abbey churches of St. Denis and the Notre Dame cathedral and enhanced them in every direction.  For all its ungainly weight, it is a marvel of construction, a mass of innovations.  Indeed, its heft can be explained by the very innovations involved: the church was to be so tall and so light that it was not clear if the walls and the buttresses would work – indeed, elsewhere they did not and the roof collapsed.  You forgive the architect that he erred on the side of safety and sacrificed grace for solidity; indeed, the more you learn about the history, the more its very solidity signifies grace.  And then there are the statues and the stained-glass windows.  More on these later.

 

Chartres the town was not always so forlorn.  The Beauce, which lies outside Paris and of which Chartres was the market centre, was called the “granary of France”.  Chartres was also a major pilgrimage site in its own right, having a claim not only to periodic visits by the Virgin, but also the cloak of the Virgin in which she gave birth, or got pregnant, or got to “know” Joseph (the point is, she did something that made her other than a virgin).  A Romanesque cathedral was built in the IX c. to accommodate the relics and the pilgrims.  Soon after, it burnt down; the replacement cathedral burnt down barely a hundred years later; its replacement also went down to fire, only 14 years after completion, in 1194. 

 

Once again (as in 1144, when construction had begun on the newly burned-down church), Church, the state and society came together; money poured in from every corner of France; serfs and the nobility hitched themselves to carts and carried stones up the hill; hundreds of masons and glass-workers worked on a project that, because of its scale, none was to see to completion.  The geometric relations of the building are mind-boggling but not implausible; the soaring roof is built over a wide Romanesque foundation, thus requiring endless innovation and improvisation; in conception, it is a reflection of Platonist ideals.

 

According to Kenneth Clark, “[c]ivilisation means something more than energy and will and creative power[:] … a sense of permanence. … Civilised man must feel that he belongs somewhere in space and time; that he consciously looks forward and looks back.”  It is precisely in their conscious looking forward that the funders and builders of Chartres represent a new moment in European history; in its sense of proportion, its massive solidity, its permanence, Clark notes, “Chartres is the epitome of the first great awakening in European civilisation.”

 

There is of course more to the cathedral than its role in Western civilisation; and it would not be as much a tourist attraction as it is if it were the object only of medieval history buffs.  Despite what I have described as its massive darkness of construction (noting, of course, that they were attempting something that had never been done before, and so it was reasonable to make every precaution), the cathedral is remarkably light in two respects: its statues and its stained glass windows.

 

There are ten thousand of the one and 170 of the other.  And almost all date from the original construction.  It is impossible to do justice to the windows with mere words: and even the pictures do not entirely capture the beauty of the panels.  The details can be seen only through a zoom lens; the windows were truly made for the glory of God and not simply – or just – for propaganda purposes.  Of the statues – and there indeed is bewildering number of them – the elongated ones at the portals are the most striking.  They are of kings and queens and princes long gone and mostly forgotten; there is, then, no historical interest in seeing them.  Rather, it is the humanity of the faces that captures and captivates.  After all, when we hear Gothic, we think of gargoyles and Marilyn Manson; but these figures demonstrate a serenity of soul that is almost post-modern, new age: these are characters you would see as extras in Dharma and Greg and not on Ozzy Osbourne

 

The Renaissance was supposed to have underlined the primacy of Man over Church; Michaelangelo is often said to be the highest point of the Humanist Art of the middle parts of the last millennium.  And yet, at least to these untrained eyes, Clark is right: this is the epitome of the great awakening; if anything, the terrifying images of Michaelangelo’s Last Judgement are a step down and away from the intimate humanity, immense calmness of soul and softness of features carved into these thousand-year old stones.  I came away from Chartres lightened and enlightened.

 

From there to the coast of Normandy is a physical distance of about a hundred kilometers and a moral one of an entire universe.

 

The city of Caen captures what might be called the most immense irony in the sad history of mankind.  At the heart of the city are two abbey churches and a castle dating from the XI c., built by and for William the Bastard, otherwise known to history as William the Conqueror (of England), who established a French dynasty that ruled England directly, and in French, for over four hundred years.  On the outskirts of Caen is the Memorial to the landing of the Allied forces on the beaches of Normandy, just shy of 900 years after William’s invasion forces left these same beaches.  And yes, it really did take all that time for second invasion force to cross the channel.  This time, the English came to restore France to the French …

 

The Abbaye aux Hommes and the Abbaye aux Dames were constructed by William (the same bastard) and his wife Isabelle to atone for the fact that they were cousins and so in the eyes of the Church were committing incest by marrying one another.  Either because of that, or because William was a bastard (in all the manifestations of that word) or for some other reason, the churches were not consecrated until well after they well build.  Still, the Abbaye aux Homme is a remarkable piece of late- Romanesque architecture – at least, from the outside.  Inside is a slightly different story.

 

Like many other churches and abbeys, the Abbaye was ransacked during the Revolution that was supposed to bring reason and liberty to the equal brotherhood of Man.  One of the casualties was the tomb of the Conqueror.  His remains were dug up and scattered.  The revolutionaries forgot the memo on Western civilisation. (Asked what he thought of Western Civilisation, Gandhi is reported to have replied, “it would be a good idea.”)  Eventually, someone recovered a single femur and proclaimed it as one belonging to William the Fat Bastard.  Some time later, when the waters were calmer, the femur was re-interred and a whole new tombstone placed on the grave.  In 1927, on the occasion of William’s 900th anniversary, the town of Hastings donated two panels of grates for the polished tomb.  I found the new décor inside somewhat garish; I’d like to think the donation as a typical British ironic statement: “We not only add to the garishness, but ensure that you are forever imprisoned in there.”

 

Two closing notes on William before we leave him, his castle, his incestuous marriage and his undignified final final burial.  Thirty kilometers south-west of Caen is the town of Bayeux.  The cathedral there is a tiny gem; its Bishop, Odo (not to be confused with the security chief on Deep Space Nine – so far as we know, the good bishop was not a shapeshifter), William’s half-brother, blessed the invading force in this very cathedral.  And, when the force was victorious, ordered the making of the “Bayeux tapestry”, a 70-meter scroll of linen that sets out the story of Harold Godwin’s betrayal of William and William’s ultimate victory at Hastings.  It’s a remarkable piece of story-telling – and propaganda.

 

And the second note?  Ah … sitting in a café called “La Conquête” in the central square of a tiny Norman village on the coast (as with every other square along the coast, this one is called “Place de Guillaume le conquerrant”), you occasionally hear the French mutter “les maudits rosbifs” under their breaths: The English are invading and gobbling up the land around here.  They have money and their launching an invasion force across the English Channel is not as difficult as it used to be.  It only took 900 years … but better late than never …

 

I never made it to the actual landing sites of the Allied Forces, but I did get to Arromanche, where the artificial ports (called “mulberries”) used by the Allies in the landings can still be seen.  A bit further up the coast I went to see the German guns and bunkers overlooking the Channel.  As you stand here, looking out into the sea, at the coastline and inland, you get a wholly new appreciation of the immense challenge the invaders were facing: and, with that, renewed, reinforced admiration for the courage of the men, and boys, who landed on these shores.

 

The Memorial at Caen gives you only a small indication of what it was all about: it is a celebration of life more than of war; of the hard-won freedom than the hardness of the winning.  The most poignant statement at the Memorial site was the one on a slab of rock from Norway: “Son, protect the freedom we have won.”  And the most incongruent – positively insulting, in my view – was the famous statue of a knotted handgun, with the inscription “Non-violence” under it.

 

For one thing, as a general matter, the banality of “non-violence” as a creed, as a philosophy, in the face of palpable evil is nowhere more apparent than in the writings of Gandhi on the question of Jews in Germany.  He writes, in November 1938:

 

I am convinced that if someone with courage and vision can arise among them [German Jews] to lead them in non-violent action, the winter of their despair can in the twinkling of an eye be turned into the summer of hope. And what has today become a degrading man-hunt can be turned into a calm and determined stand offered by unarmed men and women possessing the strength of suffering given to them by Jehovah. It will be then a truly religious resistance offered against the godless fury of dehumanised man. The German Jews will score a lasting victory over the German gentiles in the sense that they will have converted the latter to an appreciation of human dignity.

 

A month later, in response to criticisms from Germany and elsewhere, he notes:

 

Herr Hitler is but one man enjoying no more than the average span of life. He would be a spent force if he had not the backing of his people. I do not despair of his responding to human suffering even though caused by him.

 

Six million Jews, four million Poles, ten million Russians – dead, killed through the active agency of German citizens or passive starvation – twenty millions dead, and this, only in Germany, not counting the scores of millions who were killed in other theatres.  It is surely a moral monstrosity of the first rank to suggest, as Gandhi did, “I do not despair because Herr Hitler’s or the German heart has not yet melted.  On the contrary I plead for more suffering and still more till the melting has become visible to the naked eye.”

 

The banalities of “the Middle Temple lawyer, posing as a fakir” aside, I had a specific problem with the “Non-violence” statue on the grounds of the Memorial.  Allied victory was bought at the price of the blood of a generation of men, by the force of the most massive Armada ever assembled in our rich history of massed forces, and against the most lethal armed machine that the evil mind of man could conceive. 

 

Let Non-violence be celebrated, if it must; let Gandhi’s statues adorn public places and Martin Luther King Day be declared a holiday.  But, in the name of all that is sacred, not here; not on the grounds of the Memorial to the thousands who gave their lives on these beaches.

 

Let us not forget that it was blood, gunpowder and steel, and not prayer and passive suffering, that won the freedoms we enjoy today.  The objective was not to melt the heart of Herr Hitler, but to drive the invading forces out of occupied lands.  As we face more blood and gunpowder, but also as we face more subtle threats to our liberty, let us heed the Norwegian call to her Sons, which is a noble call to all of us: “protect the freedom we have won.”

 

 

Chartres and Caen

Normandy WWII

1066 and all that

I spent the last three weekends giving a series of lectures to a group of Canadian law students at the invitation of the International Study Centre of Queen’s University.  The University has a sort-of campus at a Tudor castle near Herstmonceux in East Sussex, some 70 miles south of <?xml:namespace prefix = st1 ns = “urn:schemas-microsoft-com:office:smarttags” />London and 30 miles east of Brighton.

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As always, the teaching experience was very rewarding.  But the richness of the experience was particularly enhanced by the fact I stayed at the residences near the castle and managed to get to know the students as more than just – well, students.  Over breakfast, lunch and dinner, walks in the grounds, drinks in the pub, or playing fusball, I got a better understanding of my students than I have ever had before, despite the fact that I spent only 18 hours – less than the equivalent of half a term – with them in class.  All in all, it was quite an enjoyable and wonderful time away.

 

But then who doesn’t like having two dozen bright, intelligent and articulate individuals as a captive audience for three weeks?  What’s more, not only did some understand what I said, quite a few actually laughed at my jokes.  What’s there not to like?  Nothing remarkable there and I should not have bothered to write if it were not for the additional benefits of going to England to teach – and there were at least three.

 

First of all, the food. 

 

What, you don’t believe me?  Well, OK – this one’s too big a lie and the cables of the Golden Gate Bridge itself would not support the suspension of disbelief on this issue. (Yes, yes, the metaphor is heavy – no pun intended – and probably inapt, but at least it is original.  I think.  Bear with me.)  No, the food was awful and universally so.  It is not just that I am not used to student residence food – and that I am not.  It is that even outside the residence, the food was bad.  Overcooked vegetables, fatty meats, unsubtle fish, unimaginative deserts, dishwater “coffee” … worst of all, this came upon me soon after my three days in food heaven, the bed-and-breakfast in Cinque Terre, when my stomach was least resistant to crap.  On my way back at the end of the first weekend, I finally skipped dinner and slipped into a McDonald’s for a gourmet meal – Double Quarter Pounder with Cheese … But, I should not close this paragraph without giving credit where credit is due.  Whatever their culinary weakness might be, the English make damn good Toffee, with real butter and cream. (By the way, that was my dinner at the end of the third weekend.  Toffee and banana smoothie.)

 

The second major benefit was driving in the English countryside.

 

You don’t know what to make of that, do you?  I am not referring to driving on the left side of the road ….  Still no help?  OK – the tongue is firmly in the cheek.  On the flight over I looked down and was impressed by the sheer beauty of the rolling hills of Kent and Sussex.  The hills are alive with the sound of music … oh sorry, wrong movie.  Anyway, the country is utterly beautiful from above and I got the urge to get a car and drive on the tiny roads that wind in and out of the hills, farms, meadows and pastures.  Except that … people drove like madmen on these narrow roads, which had no shoulder to speak of and were always hemmed in by something, occasionally brick walls.  And of course I was driving on the wrong side and so had to have all my wits about me just to get safely to the Castle … beautiful country it may have been, but I saw nothing but the narrow strip of asphalt in front of me.  It did get better the second time I got a car.  Well, an SUV – gas prices and global warming be damned.  I, too, was soon barreling down country roads at high speed, pushing all and sundry in my way into hedges, ditches and the occasional wall.  In a couple of weeks, I guess, I’ll find out how many times I had my photo taken by speed traps …

 

The third additional benefit – and the real one – of going to England to teach is (by now you will have guessed it) the English countryside. 

 

Over two weekends, I drove through large parts of Sussex, Surrey and Oxfordshire, and I can report that I never once saw the kind of small town middle America-massif centrale monstrosity that I described in an earlier note (see “A rare taste” below).  This is a particularly prosperous and traditional part of the UK; perhaps that explains why all the villages and small towns I drove through were uniformly, almost pathologically, cute – and I mean that in the nicest sense of the word.  It is a bit of a cliché, but the English really do have lovely gardens, ivy-covered cottages dotting the landscape, sheep in the pastures and insane place names and signage: on my way to the castle from the airport I went through Nutley, Uckville and Upper Dicker; Bognor Regis and Pease Pound were around the corner; the map reads like an Oscar Wilde play (Worthing, Bracknell, Windermere); and signs warned me here and there of “Heavy Plant Crossing”, prompting me to look frantically around each bend in the road for waddling Begonias or overweight palms.  

 

Then, of course, is the sheer wealth of the land in terms of historical sites – if, that is, you are as great an enthusiast of English history as I am.  East Sussex, after all, is “1066 country”.  But more on that, later.

 

The castle itself – or, at least, the foundations – dates from 1441, and is one of the major Tudor brick buildings in England.  It was heavily rebuilt in the early twentieth century, and for some fifty years it played host to the Royal Greenwich Observatory – there are still working telescopes on the grounds, though the largest was moved to the Canaries about ten years ago.  The classes were held at the castle, which is not open to the public; the residence (which also serves as a bed and breakfast) was about 500 metres up the hill.  From my room, I had a beautiful view of the surrounding meadows, cows and observatories. (You can see the pictures of the castle, the grounds, and the cows here.)

 

The name of the castle, Herstmonceux, should give you an indication of the interesting history of the land: the Hersts were Saxon nobility, while de Monceux was a Norman knight that came over with William the Conqueror.  Some time in the XII century, about a hundred years after the Conquest, a de Monceux married a Herst, joined their names, and settled in the region.

 

It is said that the Norman Conquest was the last successful invasion of England (if you do not count that little incident in 1688, when William of Orange usurped the English and Scottish thrones; after all, he was already married to the daughter of the deposed king).  An earlier William, the Duke of Normandy, had been promised the throne of England by Edward the Confessor.  After Edward’s death, however, Harold Godwin, a Saxon claimed that Edward had named him as his successor.  Meanwhile, the Norwegians thought that England belonged to them – after all, they had plundered the land, pillaged the cities and raped its people for centuries; theirs was by far the strongest of William’s or Harold’s claim. 

 

Messy business. 

 

Harold, being in situ, took the crown; the Norwegians attacked from the north, and William invaded from the south.  Harold moved swiftly north and dealt a massive defeat on the Norwegian invaders – indeed, so massive that they never came back.  But, by the time he turned south to face the Normans (who were, incidentally, the descendant of Vikings – norse men- who evidently had come to prefer the delights of the French country side to Norway’s snowy coasts), his troops were too tired to fight.  The Normans attacked, were repulsed, took out their bows and showered the enemy with arrows; Harold took one in the eye and died, the English forces fought on but collapsed of exhaustion; and William established a French-speaking court in England that changed the face of the country, and that lasted until 1485.

 

William landed in what is now Pevensy Bay; the walls of a Roman fort that served as his first base are still there.  Within the remains of the Roman walls there are the ruins of a medieval castle; the early foundations of the castle date to 1067, a year after the invasion.  The final battle between the English and the Norman forces is known as the Battle of Hastings, though in fact it was fought a little north of Hastings, at what is now the village of Battle. (There is a joke in there somewhere, but it cannot be told without eliciting a collective groan, so I will forebear.) The village was built around the Abbey founded by William soon after the Conquest to commemorate the victory.  According to tradition, the altar of the Abbey church was placed on the exact spot where Harold died.  Not much is left of the Church; the Abbey lies in magnificent ruins; the battlefield is now covered in Narcissus.

 

And William?  Here is how Will Durant captures the scene of his death:

 

“He ordered his army to burn down Mantes and all its neighbourhood, and to destroy all its crops and fruits; and it was done.  Riding happily amid the ruins, William was thrown against the iron pommel of his saddle by a stumble of his horse.  He was carried to the priory of St. Gervase near Rouen. … All his sons except Henry deserted his deathbed to fight for the succession; his officers and servants fled with what spoils they could take. … The coffin made for him proved too small for his corpse; when the attendants tried to force the enormous bulk into the narrow space the body burst, and filled the church with a royal stench.

 

As I walked around the battlefields and the ruins, as I stood where the old Abbey church of Battle rose on the spot where Harold Godwin (and Saxon England) had met his death, I remembered the story of William’s exploding corpse and fleeing servants, and I recalled Khayyam’s quatrain (via Fitzgerlad):

 

They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahram, that great Hunter–the Wild Ass
Stamps o'er his Head, and he lies fast asleep.

 

William was not your garden variety conqueror; he comprehensively changed the face of Saxon England.  He introduced feudalism and established a landed nobility of largely Norman stock, the traces of which can still be seen today: in English, the cow in the pasture becomes beef on your plate; the same with veal and pork.  This reflects the fact that the Saxon peasants raised the cows and calf and pigs, but sold or offered boeuf, veau, and porc to the Lords in the Manor.

 

One of William’s principal supporters in the English venture was a certain Roger de Montgomery, who offered 60 ships to the invasion.  As a reward, he got the “rape” of Arundel (including what became Arundel Castle), one of the six “rapes” of County Sussex parceled out by William to his friends.  (The origins of the word “rape” are not clear, but it might well have come from the French rapiner, to plunder, which is what the Normans did to the Saxon lands.)  But Roger's son backed the wrong guy in the wars of succession that followed and lost the land.  Henry I, William’s son, gave the grounds to his second wife; she remarried, and eventually hosted Empress Matilda, Henry’s daughter and England’s first Queen, at Arundel Castle in 1139.  The formidable Matilda, or Maud, was never crowned; she was in London for all of seven months before Londoners got fed up with her manners and threw her out of town.  Her son eventually became king of England as Henry II, the husband of Eleanor, about whom I have written elsewhere (See “A rare taste” below).  It was this Henry who created the first Earl of Arundel, whose descendants still inhabit the Castle over eight hundred years later.

 

Along the way, the Earls of Arundel married into or produced other Earls, Dukes and sundry Lords, some of whom had their heads removed at the convenience of the Sovereign.  The family also produced the two most unfortunate Queens of England, Anne Boleyn and Catherine Howard, who were nieces of the 3rd Duke of Norfolk; both went to the block.  The 3rd Duke escaped beheading by Henry VIII only because Henry died of Syphilis the night before the Execution. (Yet another bloated king whose corpse exploded.)  The 4th Duke, however, was not so fortunate; he was relieved of his head by the order of Queen Elizabeth.  Now, before you say a word against the Virgin Queen, bear in mind that the House of Lords had sentenced Norfolk to be hanged, drawn and quartered; the Queen felt compassion and after months of dithering, only had Norfolk beheaded.

 

My next stop was Stonehenge.  Sadly, I did not see any druids there.  Even more disappointingly, for fear of vandalism you are kept a good distance from the stones.  I walked around on the designated pathway, listened to the audio-guide yammer on about the construction of the thing and the properties of “blue” stone, took pictures, and ate a tuna sandwich for lunch.  I had in mind all the stories I had read about the magical properties of Stonehenge; I was half-hoping to find a time-portal or something on the path … but no such luck.  I suppose it’s interesting how four thousand years ago hundreds of people got together to build themselves what is in effect a stone calendar … but then, around the same time, the Egyptians were building the pyramids.  I guess the moral of the story is, if you want to see Stonehenge in person, go there before you visit Egypt, otherwise you risk having your perspective screwed up.

 

My final stop was Oxford.  I had persuaded myself that it was worth driving 250 km to see Oxford; I am still not sure whether it was.  Still, it was good finally to see the place I had read so much about in Brideshead Revisited and the life of Oscar Wilde.  There is, I should add, an odd serenity about the place; this is what a University should feel like, I thought to myself as I walked around Christ Church meadow.  But then, it could well be that I have been conditioned to think that way.

 

And this is the thing: how often in life do we come across an image or a place with utterly fresh eyes?  Is it even possible to conceive what a “fresh eye” might be like, might feel like?  Would Stonehenge have been more impressive had I not seen the pyramids?  Would it still be impressive if I did not know its age, or the significance of its particular orientation during Spring equinox or Summer solstice?  Would Oxford, the city and the university, be Oxford, without the lenses of Wilde and Waugh?  But then, what is a place, a building, a historical artifact, but the sum total of our experiences, gathered and received?

 

After a week of rain, the sun is finally breaking through the clouds.  The mountains beckon.

 

Cinque Terre

The Setting

I’d been meaning to go to Cinque Terre (pronounced “chink-weh terreh” and Italian for “Five Tourist Traps”) since 1998.  As with much else in my life, this was based on nothing other than pure hearsay: I had seen no pictures of the area and read no reviews; I had only a vague notion of where they were and an ever vaguer grasp of what they would be once I found them.  But then, in Brussels and then in Geneva, at the approach of every long weekend all I could hear was, “we’re going to Cinque Terre.”  What better recommendation for a place than over-hearing perfect strangers in diplomatic cocktail parties talking about going there?

While still in Brussels, I discovered that the villages to which the “Terre” referred were in the general direction of the Italian Riviera (that is, on the Mediterranean Sea – and luckily I knew at least where to find the Sea …), somewhere between Levanto and La Spezia.  I also found out, over the years, that accommodation in the area consisted of two general choices: respectable hotels in the region itself that were fully booked six months in advanced and that required a child or two as security for payment, and various other “two star” pensiones recommended by a “friend of a friend” that were located on a hillside twenty miles distant from any civilized point and accessible only by donkeys.

And so it was that, year after year, at the approach of each long weekend, I would announce my intention to visit the Cinque Terre, only to have my plans – hopes, really – scuppered by my bank’s refusal to extend the line of credit necessary for the hotels or inability to reserve a donkey or a mule to access one of the more affordable pensiones.  When, some time in early April, I yet again announced my intention to check out the Cinque, friends received it with the same roll of the eyes and knowing smile that I used to get in University every time I mentioned a date for the weekend.  This time, however, things were going to be different, for I was armed with Karen Brown’s Charming Bed and Breakfasts in Italy.  Within a week I was booked into one, and a week later we were off to the fabled Five Lands.  (OK, I lied; Terre does not mean “tourist trap”, it means “Lands” or, I guess, “Villages”.  “Tourist trap” translates into Italia in Italian.)

There

I have a policy – no doubt, you are shocked and surprised to hear this, that I have a policy on anything – I have a policy never to stay in any place that is described as “charming”, or to eat at a restaurant that has “romantic” or “Mama” in its name, or to read a book with the letter Z in the title.  This last one is a total non sequitur, I know, but I put it there simply to note that I know very well that such policies are utterly irrational and easily broken.  Still, the policy is there, and had it not been for the fact that I had waited nearly eight years to find the right hotel, pension, bed and breakfast, cottage, or mud hut to rent in Cinque Terre, I probably would have stuck to it.  But desperate situations demand desperate measures, and so I decided to forego the policy.  If it was the only way to get there, a “charming” bed and breakfast it was going to be.  And so it was.  And a good thing too.

Locanda Miranda is in a village called Tellaro, which is literally at the end of the local road.  I mean it.  The road from Sarzana to the sea winds its way through Lerici and another village before coming to an end in front of the village church.  From there, you can only walk down to the sea, or up into the hills.  Not just that, but the walk down to the sea goes through the village and in front of multicoloured buildings, and ends at a fortified medieval church built on a rock jutting into the “Gulf of Poets”.  “Charming” does not even begin to describe the surroundings: this was charming with whipped cream, frosting sugar and a cherry on top.  Filled with custard.  On a bed of crumbled Oreo cookies.  And that was only the village.

Then there was the pensione itself.  By Italian standards, our room had palatial dimensions (that is, you could turn around with your luggage without knocking out a wall); we had two balconies, once of which overlooked the gulf (and the sunset); the bathroom was clean and – I trust you are sitting down for this shocker – big enough to accommodate a bidet …. (Question: What is the best quote incorporating the word ‘bidet’?  Answer: Ava Gardner on her marriage to Frank Sinatra, ‘We were always great in bed. The trouble usually started on the way to the bidet.’  I digress.)

We would have been happy enough with the arrangements, but the service, and the food, made the experience one of the most memorable travelling experiences I have ever had.  We had a five course seafood dinner, and different each night they were, to describe which would take up far too many words than your patience or my wordsmithing abilities would permit.  Let me say this, though, about the genius of the chef: he made polenta that was not only edible, but downright enjoyable; I leave it to your imagination to figure out what he would have been able to do with red mullet, sea bass, sea bream, scampi, calamari, and lobsters …

The dead poets

From Tellaro, it’s a ten minutes drive to Lerici, where you can take a ferry across the Gulf of Poets to the Cinque Terre, passing La Spezia and stopping at Porto Venere. 

I keep repeating the name of the city, La Spezia, in the hope that some of you will suddenly say, “Ah, La Spezia; of course”.  Me, I never did, despite all the years I read about Cinque Terre, La Spezia and Levanto.  The reason for my continued ignorance was, of course, that from a purely historical perspective, La Spezia offered nothing to make me remember it.  It is not connected with any of the murderous families that have ruled Italy’s city-states; no Pope installed his illegitimate children as a bishop or a military governor; no painter of note purchased from La Spezia its condemned criminals to crucify them for greater verisimilitude in his paintings of the Passion; you cannot name a single Mafioso or blood-thirsty explorer who admits to having hailed from there; and there is no record of any Roman Emperors or generals who left their heads, or other body parts, in the Gulf of Poets, courtesy of the Praetorian Guards.

Perhaps they did not because at the time of the Romans, the Gulf was not known by its present name.  Indeed, “the Gulf of Poets” is a fairly recent appellation, as far as Italy is concerned, going back to the middle of the nineteenth century.  La Spezia, Gulf of Poets, XIXth Century … By now, most of you will be saying, “that La Spezia; of course.”  Me, I still didn’t get it, until I read the brochure. 

Shelley (Pyrce Bysshe, the poet) got himself drowned there and Byron (Lord George Gordon, another poet) went there from Geneva, where he was renting a Château, to console, or “console”, Shelley’s widow Mary (that would be Mary Shelley, the author of Frankenstein).  La Spezia, you could say, was the seat of the original Dead Poet’s Society.

The Walk

And so across the Gulf we went, past La Spezia and around Porto Venere, to stop at the first of the five villages.  As my ancient film camera had run out of batteries, I was hoping that Riomaggiore would be packed with tourists and, therefore, covered in tourist-related shops.  I was not disappointed.  Within a few steps into the old town, we found a Kodak shop (thank God for Globalisation) and I started clicking away.  From the first village we walked along the coast to the second one, and from there we went, to no one’s surprise least of all ours, to the third.  There we found refuge from the throngs of tourists (I no longer had any use for them or their shops) in a quaint little restaurant that served a wonderful seafood pasta, walked around a bit, and helped a couple of confused and lost German tourists (“The train station is down there, just follow the signs, with a picture of a train. … Well, that way goes up, as you see, and takes you to the top of the cliff ….”).

By this time, it was four p.m.; we had enough time to get down to the train station, buy a ticket, wait for the train (“The train will be ten minutes late”; the phrase is repeated often, in relation to every train, and only in Italian, so that you learn it by heart very quickly.), get to the fourth village, walk up to the tower, go to the Marina, have a gelato (there is always enough time for gelato) and catch the last boat to Lerici. 

At least, what we thought was the last boat to Lerici.  It was the last boat alright … but after 90 minutes of high waves, strong winds and an endless stream of announcements in Italian about getting on and getting off at this or that destination, we found ourselves not in Lerici, but in La Spezia (that city again).  We paid homage to the dead poet, his wife and her lover, and took a bus through the industrial suburbs back to Lerici, the car and the comforts of Locanda Miranda.

The surrounding region

Having “done” the Cinque Terre – well, at least four of them; we figured the fifth would be more of the same and so decided to give it a pass – on Holy Sunday we asked the good owner of the Miranda to tell us about the local attractions.  In mixed Italian and French she told us of La Serra, Mount Marcello, a precipice, Punto Curvo, going up and then down and through a medieval village called Ameglia, a geographical feature that goes by the name of “Bocca di Magra”, and of course the local big city … no, not La Spezia but Sarzana.  Both at the time and now, having done the tour, these names and features make as much sense to me as they do to you.  The only advantage I have over you is that, thanks to Italian signage, we managed to drive for an hour, hike for another hour and a half up a steep mountain path and walk down a windy road for still half an hour, without having seen any of the attractions mentioned by the good host.  Well, I exaggerate: there was a lovely Easter festival at Sarzana, which boasts the odd feature of a house built on – yes, right on – one of the turrets of the still extant medieval walls.

We did manage to break out of the itinerary suggested by our host long enough to visit Pisa and Lucca.  And the evening and the morning were the third day.

And God said, Let there be lights in the firmament of the heaven – um, er, ah … Sorry, for a moment I got carried away with my Biblical allusions … references … plagiarisms …

We set out for the long trek back on the Monday.  For lunch we stopped at Parma. (I don’t mean to be pretentious; it was on the way.) We also visited the Cathedral (known for its Renaissance frescoes of the life of Jesus) and the Octagonal Baptistery covered in pinkish marble. 

I am not a big fan of Renaissance or even post/counter-Reformation church frescoes; but then, I almost converted to Protestantism when I set foot in the St. Ignatius Loyola – one of the two principal Jesuit churches in Rome.  Almost, because of course I am not a Catholic, but too many paintings on the walls give me the creeps.  Give me a Gothic church with stained-glass stories of the life of Jesus over frescoes any day.  Well, except for the Sistine Chapel.  I digress.  Parma.  Well, if you’re into Baptisteries, stick to the one in Florence.

The Return

From Parma, instead of taking the “direct” route through the Mont Blanc tunnel, we decided to go through one of the more spectacular mountain passes in Switzerland.  The Simplon Pass connects the very beginning of the Rhone Valley in Switzerland to Italy, via Domodossola.  You go through the mountains, rise to an altitude of 2005 meters, and then for 23 kilometers you descend, on a 9% gradient, to the bottom of the valley.  From there, it’s another 200 kilometers (197, to be precise) to my place.  And it is a stunningly beautiful drive: the road itself is fairly straight and uneventful, but the mountains on each side rise to immense heights.  Going through the Simplon added two hours (if not more) to the trip, but it was well worth it.

Next week I am off to the UK, where I will be teaching at a castle belonging to Queen’s University.  I am planning to visit Hastings – as in “The Battle of” – and possibly Oxford, time permitting.  I’ll let you know if I come across anything interesting.  

Forgotten Empire

Well, yes, I said I would not write again until 2006. And I meant it.  I should have honoured my promise had I not surreptitiously – nay, serendipitously – found myself in London last month on a weekend’s pleasure jaunt.  And so here I am, once again crowding this site with more words. 

Now, if this were a blog merely about London, I should advise you to skip reading it. (What more can anyone say about London that has not yet been said?  Especially since I did not discover any new restaurants, crash any interesting parties, or stumble unto (or into) any new and exciting clubs.)  But this was no ordinary excursion into the old Imperial capital.  I went there for the express purpose of seeing the “Forgotten Empire” exhibition, on Achaemenid Persia, at the British Museum (with the rare participation of the Iranian National Museum).  So, if you are interested in things ancient, read on.

The exhibition has got rather mixed reviews in London papers and, interestingly enough, the reviews do not necessarily reflect the usual political fissures of English newspapers.  

On the left, the anti-war crowd crowed about the past glories of a country now under verbal attack by another Empire, warning the US of a similar fate to that of the Persians. (With what glee some commentators noted that Persepolis lay unknown and under dust for well over a millennium, until a lost European explorer suggested that the ruins might be the fabled city mentioned in Herodotus.  Take that Washington!)  Also on the left – more on the lunatic side – anachronisms heaped upon anachronisms as ideology got the better of common sense, with critics questioning the wisdom of “glorifying” Imperial conquest or “the oppressive system that forced slaves to build vast palaces and monuments to egos” at a time when other Empires are being built, etc.

On the right, most critics used the occasion to drag the whole history of post-Seljuk and post-Moorish Islamic decline into their “analysis”, predictably tut-tutting what had happened to glorious Persia as a result of – what else? – fundamentalist and calcified Islam.  And why wait for Islam?  After all, weren’t the Greco-Persian wars of the early Achaemenid era merely a precursor to the “clash of civilizations” of today?  The right drew its own conclusions, of course: some opting for war, others for encouraging Persians to find their past glory, again … 

Bah, humbug, was my reaction to the critics.

And, alas, to the exhibition.

As I walked about in the dark, dank, small, and stiflingly hot room in which the exhibition was mounted, I was not entirely thrilled but could not quite put my finger on what it was that I found problematic.  After all, many of the items were part of the British Museum’s permanent collection, and so I had seen them before.  But then, perhaps that was it: they had been in far better display cases in the permanent collection, as opposed to the cramped and dark corner to which they were relegated in the exhibition.

But it was something else that was bothering me.  Some of items on display had already been displayed in another touring exhibition only five years ago.  Of these – and this is unforgivable for a museum of this caliber – the two most prized items were silver and gold rhytons (drinking cups) about which the only information available was that they were “said to be from Hamedan”.  I was struck by this.  “Said to be”?  By whom?  What are the doubts?  What is the real provenance?  Have they not been authenticated?  If not, why are they on display? 

They are beautiful pieces alright.  But it does make a difference whether they were made by Lydian artists resident in Ekbatana and Persepolis around 540 B.C. or fifty years ago in some faux-antique-producing workshop in Tehran.  It gives me no confidence in an exhibition to simply gloss over the uncertainties.

This was not all – it got worse. 

There were plaster casts of the bas-reliefs from the Gates of Nations in Persepolis.  At first I allowed myself to be impressed – I have not been there and had only seen pictures of the reliefs.  The sensation did not last long.  I was reminded of Berlin’s Pergamon Museum, in which the Ishtar Gate of Babylon is mounted in all its full glory; in another room, you can see an entire temple.  In the British Museum itself, the Assyrian collection, or indeed the Elgin Marbles, is set in halls and spaces that give you at least an inkling of the majesty of their original setting, of the artistry of the architects.  And the plaster cast?  It was pathetically set in a dark room with low ceilings.  There was no sense that the cast was from a part of two grand staircases going up to a gate opening onto the Apadana, the Hall of Nations, at some 120 meters long and wide, or that the staircases lead from road to a stone platform (on which the palace was built) of an area about 125,000 sq. meters.  There was no sense of scale in this reproduction.  Not to mention that there were no interpretative notes telling the viewers what all the figures meant.

After all, all along the staircases (on the site) are the images of people bearing gifts.  This is the most ancient representation that we have of the rites of Noruz – the Iranian/Persian new year – celebrated each year on the Spring equinox.  Each figure represents one of the “nations” that formed the Empire; each national representative carried a gift from their territory for the Great Kind.  Some were accompanied by a Persian guard; others were alone.  Some of these national representatives (such as the Medes or the Parthians) appear armed on the reliefs; others are not.  The differences in representation were significant; they indicated whether a nation was a partner or a subject nation to the Persians (only free peoples were armed).  Another thing you could see on the reliefs is the nature of the national costumes.  The Persians are fully covered, whereas the Medes (and certain other nations) showed skin.  And so on.  I did not see any notes explaining the significance of the carvings on the staircases.  Without such interpretative notes, the reliefs are simply crude images on a wall; you get no sense of why this Forgotten Empire needs to be remembered.

And the biggest travesty of all: the treatment of the Cyrus Cylinder.  The notes said something along the lines that, “although the cylinder was found in the site of Babylon, successive Iranian governments have laid claim to it as a Persian heritage.”  The notes further point out, quite helpfully, that “notions of human rights that Iranians claim to find in the cylinder did not, of course, have much resonance at the time of the conquest of Babylon.”  And so on.  All of which is true; all of which is beside the point.

The cylinder was found in Babylon and it is dated to the conquest of Babylon by … Cyrus, the founder of the Persian Achaemenid Empire. It begins with the words, “I, Cyrus, King of Kings, king of the four corners [of the world] …”.  It talks about how Cyrus came to Babylon, freed the people from their yokes, respected the Babylonian gods, etc. etc.  Of course the cylinder was found in Babylon: it was a propaganda piece by the conquering army of the Persian Empire for the benefit of the Babylonians.  But in this, it is no more Babylonian in origin than General MacArthur’s statements of assurance in Tokyo were “Japanese” in origin merely because they were delivered there. 

And of course to talk of “human rights” as we understand them in connection with the 2500 year old cylinder would be anachronistic.  The point is that in its context what Cyrus said in Babylon was quite revolutionary.  Only forty years before the conquest of Babylon by Cyrus, Babylon had conquered Jerusalem, razed the city and enslaved its people.  This was in living memory. (“By the rivers of Babylon, we sat down and remembered Zion.”) Barely a century before, the Medes and the Babylonians had conquered Assyria, destroyed Nineveh, sowed salt in the land, massacred hundreds of thousands and sold the rest to slavery.  The descendants of those slaves would still have been in Babylon at the time of the conquest.  Thus, for Cyrus to show up and – even if in propaganda – proclaim his respect for the Gods of Babylon, and offer to “lift their yokes”, would have been, and indeed was, a unique event, a huge departure from the conduct of warfare and of Empire-building. 

It’s perfectly alright to try to demystify the cylinder, but not at the cost of distorting what is not just Persia’s heritage, but the heritage of mankind: this is where we were 2500 years ago.  How much have we progressed since?

And so, despite the superficially admirable effort of mounting this exhibition, the real Empire remains forgotten.  Perhaps I should get back on my dormant novel …

To get over the disappointment, I got a ride on the London Eye.  Unlike Paris, though, London is not a pretty city from above.  The twelve pounds I spent on the large Ferris wheel would have been better invested on an open-top double-decker.  Live and learn.  

A rare taste

You begin to doubt the wisdom of ordering a “rare” steak when, upon taking your order, the waiter rushes into the kitchen and returns with a lasso and a Ginsu knife. The rest of the conversation passes in silence: You look up with a face bearing a combination of fear, bewilderment and faux-machismo, while the waiter stares back at you with a vague sense of satisfaction and a beaming “you-don’t-expect-us-to-kill-it-too” expression on his brow.  Not less then thirty seconds later the slab of meat arrives, for the moment resting on a bed of french fries.  Before you know it, the steak is mooing and kicking and trying to run away and you are down the street, lasson in hand, running after it. 
 
Well, I managed to catch mine, bring it back to the table and harness it to the plate, before finishing it off with stabbing movements of the Ginsu knife that would make Mrs. Bates proud.  Another twenty minutes of wrestling with and gnawing on raw fat, sinews and meat, and I felt like climbing a tree and lying there with my paws swinging, or better yet, finding a soft comfy spot in the Savannah for a long long long sleep among the tall grass.

But that was not to be.  I had to get in the car and get onto Route 76.  We passed town after small town: first the gas stations, then the fast food joints, then the massive shopping centres and car lots, followed briskly by boarded-up stores, decrepit concrete housing, motels with all-you-eat buffets, dead city-centres – only to have the entire thing repeated in reverse.  From town to town we sped, cornfields and wheatfields on each side extending to the vast flat horizon; the road, in front of us, mercilessly without any features.  There we were, plains to the left of us, plains to the right of us, plains in front of us … on rode the six hundred, theirs not to- ah.  Er.  Um.  Sorry there, forgot myself for a second.  So there we were, driving among farms and pasture lands and prairies …

No Toto, we were not in <?xml:namespace prefix = st1 ns = “urn:schemas-microsoft-com:office:smarttags” />Kansas, but in the flatlands of middle France.  It’s remarkable how similar, in some basic details, middle France and middle America are.  The average Parisian, who has far more sense than drive in the middle part of France, would never admit to it, but there it was.  But for the fact that each village boasted a XIIth century church – and, believe me, that gets pretty old hat pretty soon – many towns and villages in the middle of the country (the part that does not see any tourists) have the same basic build of a small American town.  The average Praisian would no doubt blame this on globalisation, or better yet, globalisation! (pronounced with a snooty French accent), Americanisation, imperialism, capitalism … N’importe quoi.  The big difference between France and the US is the distance between the towns.

When you go through enough of these in the space of a few hours, you realise that whoever invented the pattern of economic activity in an American small town (now replicated here and there) was a genius: who wants massive trucks winding through city centres looking for gas or food?  And where else are you going to put car dealerships?  As for the hyper-markets: well, let me tell ya, “charm” costs, even in France, especially in France.  You can get a kilo of nectarines in a hypermarché for the kingly sum of One Euro, or you can wait for the Wednesday market and buy the same kilo from a smelly farmer with one black tooth for three times the price and a lot more attitude.  I know, because I live near a market and I used to do my shopping there.  I stopped going there when a farmer told me not to touch his produce and proposed to select for me: two rotten avocados and two unripe ones for €10.  Non merci.  I trundled off to the hypermarché, manhandled a dozen avocados until I found the ones I wanted and came home.  Because of the all choice, I also spent about €100 on stuff I did not need, but that should not detain us.  And the avocados? Two unripe and the other two rotten.  But that too is beside the point.  I forgot what the point was.

So we got on the road and sped toward … well, the first night we were staying in a XIVth château in Burgundy.  We were not there for wine-tasting – this was only our first stop on the way to the Loire Valley.  And as it happened, we got there around 10 pm – too late, the host informed us, for any restaurants in the region.  No problem: we got sandwiches from the local gas station – 7 km away – scaled the three floors to our room and passed out on the beds.  The next morning …

Ah, but it is always the next morning when you realise what magic, what beauty, this country has to offer.  Our room was under the roof, in the left wing of the château.  We looked out onto towers on top of a moat and a quaint granary.  We had breakfast in a lovely formal dining room with a painting (original) of Erasmus looking over us.  Simply wonderful.

From there we headed to our first destination, the city of Bourges, near the geographical centre of France.  This is the capital of the province of Berry – the ducs de Berry were quite rich and enormously famous at some point (see Chambord, below) – and, more important, it is here that one of the two earliest examples of Gothic architecture was built.<?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” /> 

The Cathedral is unusual in many respects.  It was begun about the same time as the Cathedral at Chartres, and so each of them presented a model of Gothic architecture to follow.  As it happens, it was Chartres that was copied and not Bourges.  Some suggest that it was because Chartres was closer to Paris, and so it ended up being more copied.  For my own money – and I have not been to Chartres, though I have seen many of its progeny, including the Cathedrals in Köln, Barcelona and Prague – it is probably because Bourges is far more human, more immediate and – therefore, fatally if you want to impress people with the glory of God – less imposing than the Chartres models. 

It is also less ideological as a building: it is not in the shape of a cross.  The absence of a transept does wonders for the lighting in the place: inside, the nave is like a basilica, only wider, higher and much brighter.  There are five aisles but the two on the side rise to a height of 69 feet.  The church, at 130 feet, is the widest in France.  And yet: from each point in the church I could see all five aisles.  There is no mystery here, no hidden corners, no shadows.  You can see why church leaders would have gone with Chartres.  It was well worth the trip. 

Two hours later and we were in Chenanceaux.  The chateau there is preposterous.  It straddles the Loire – turrets and all – nestled in acres and acres of woodland and parks and riverside terraces.  The living and partying areas of the chateau are not that grand – but still, the idea that you can just build a chateau over a river, thus blocking the height of the boats or the width of the barges that could pass … It really is something out of a fairy tale. 

From there we drove further west to the outskirts of Nantes, to the Chateau du Breil, where we were staying.  We were in the middle of Muscadet vineyards and pasturelands here and there where sheep grazed peaceably.  The night sky was overflowing with stars.  And the chateau boasts a lovely heated pool, and a crazy Frenchwoman who was never without her glass of Chablis (“in Paris we don’t consider Muscadet wine”) and her Gauloises.  Her eldest, my age, is a French diplomat in London and so she immediately adopted me.  We were well taken care of. 

On the Sunday we went to Fontevraud to visit the Abbey where Eleanor of Acquitaine, Henry II and Richard Lionheart are buried. (See the movie The Lion in Winter, and you will want to drive 600 km to see this Abbey and to pay homage to the great Queen.)  There we saw the Dungeon of the Chinon Castle, where Henry II had his court. (Although king of England, Henry had lots of territory in France and preferred to stay in the region, to fight his endless wars with the French king, Philippe Augustus.  Philippe was, incidentally, Richard’s (Henry’s son) lover, before Richard became king.)  I went down to the bowels of the dungeon, fell in the dark and the damp, and bloodied my elbow.  The romantic in me wanted to think that perhaps Richard or Eleanor had also fallen there when they were imprisoned in the castle. (Complicated family.)  But, of course, it was an illusion: the dungeon had been built by Philippe in 1205, a year after Eleanor’s death and six years after Richard expired.      

From Chinon to Saumur and the Disney castle on the heights overlooking the Loire.  This, by the way, is the region of the Troglodytes – the cave-dwelling peoples who carved their abodes into the limestone hills along the river.  If you are interested in that sort of thing, go to Capadoccia, in Turkey. 

Our last stop was the Château de Chambord.  It is stunningly beautiful and strikingly impudent.  It is a hunting lodge of sorts, designed to near absolute mathematical precision.  Its royal quarters have housed kings and queens and mistresses, in quick succession.  There is a double-helixed staircase in the middle of the château, reportedly designed by Da Vinci – proving, once again, that he was an alien.  No doubt, three hundred years from now we will decode the DNA message encoded in the staircase.  The château anticipates Gaudi in its strangeness, Dali in its surrealism, and Fiddler on the Roof in the many staircases, inside and out, going nowhere, just for show ….  If I were a rich man, indeed.  I could hear the last owner of the château singing that as he gave up the crumbling building to the French government for the princely sum of one franc.  He sold the land for another five million. 

That owner, a certain Comte de Chambord, was a descendant of an earlier count by that name who, in 1873 declared his readiness to accede to the throne of France as Henri V.  He was not as batty as all that: he was the son of the last duc de Berry (see above).  During the Empire – the second Empire, led by the third Napoleon – the good people of France collected money for the impoverished count to buy back his estate (the château).  And so he did.  After the collapse of the Empire, the fall of the Commune and the declaration of the Third Republic, the good count put his name forward as the next king: the Bourbons and the Orléans having expired, the Berrys were the last royal line to remain.  Though impudently declaring himself the successor in spirit to the great Henri IV, the count was not well-received and he died ten years later. 

And so it goes.